![blood in blood out netflix blood in blood out netflix](https://images2.minutemediacdn.com/image/fetch/w_2000,h_2000,c_fit/https://netflixlife.com/wp-content/uploads/getty-images/2021/11/1350780231.jpeg)
![blood in blood out netflix blood in blood out netflix](https://decider.com/wp-content/uploads/2019/02/tree-of-blood-.jpg)
In 1964, Frederick Harris of the African Resistance Movement planted a bomb on a “whites-only” platform.īuilding on the legacy of several popular web series released in 2017, these commissions are in part a culmination of the innovative efforts of young South African film-makers who initially found themselves bound by lack of government funding. However, Kupa reveals an interesting bit of information about the series: the final scene, depicting the explosion of the Johannesburg Park station, speaks directly to the nation’s history of apartheid.
Blood in blood out netflix professional#
Centred on the secret life of a spy, Queen Sono (Pearl Thusi), the clash between her personal and professional life is at times a bit too unbelievable, as she leaps over fruit stalls in markets and sneaks into the swanky dinners with crooked politicians. However, like Blood and Water, at times the plot is more concerned with sharp twists and turns than coherency. For those who are averse to poor dubbing, hearing the rhythm of Zulu, Afrikaans and Swahili is a welcome change, although the majority of the series is in English. What Blood and Water lacks in overtly South African character, Queen Sono makes up for, painting a hard-hitting portrait of Johannesburg. While the soundtrack is an important part of the series, championing local musicians, such as Sho Madjozi (Tsonga singer of the viral John Cena song), Blood and Water has more in common with Riverdale and Gossip Girl than it does with Grassroots.
![blood in blood out netflix blood in blood out netflix](https://i2.netflixmovies.com/dibsl9ebc/image/upload/w_1024/xerw6jgsmova3uf0yxuu.jpg)
“The difference between shows such as Queen Sono, Blood and Water and content produced locally is like night and day in terms of the type of South Africa you see,” he says. The two share similar plotlines, but Grassroots grapples with the quips and nuances of social life in South Africa – private schools are explored as “vestiges of apartheid” with “strict rules regarding race, gender expression and of course – hair”. He compares Blood and Water with its local counterpart Grassroots, which airs on the DS.TV channel Mzansi Magic. In addition to necessary marketing, Netflix covers much of the non-production related activity that a local production simply can’t match. “Part of the reason Netflix is so welcomed is because there is now another place to get your money,” says Kupa, as well gaining as “the western stamp of approval”. The film-maker Tsogo Kupa traces a pattern of consumption to explain why South Africa is a prime choice for the business. A Nigerian original series is in the works, and the company’s head of African original programming, Dorothy Ghettuba, who is from Kenya, has said that her home country has “promise” for Netflix.Įnabling South African talent to tap into much-needed funding and exposure, Netflix titles are a representational accolade for those awaiting a “come-up”. Scouting for talent on the ground before partnering with the region’s creative organisations to bring it’s ideas to the screen, Netflix’s strategy is clearly international but the stories are rooted in the people local to each region. The show, which was in the streaming service’s Top 10 in the US, UK and France within its first week of release, followed spy thriller Queen Sono and the vigilante drama Shadow. Where it might have once seemed strange to see a South African teen drama on Netflix, Blood and Water is part of a huge foray into the continent for the streaming service.
![blood in blood out netflix blood in blood out netflix](https://i.pinimg.com/736x/36/eb/e7/36ebe7d24d65f9cb7bccdd5e23501104.jpg)
Like many dramas aimed at younger viewers, the first instalment kicks off in the midst of a debauched, booze-soaked gathering before branching out into the dark underbelly of popularity – think student-teacher relationships and moneyed parents wielding their power in the education system in the form of “donations”. The second African series produced and released by Netflix, it focuses on the class divide between private Parkhurst school in Cape Town and its unnamed public counterpart, as well as Khumalo’s search for her missing sister. But this isn’t London or LA: the two girls are Fikile Bhele and Puleng Khumalo, and the show is Blood and Water, set in South Africa. As the birthday girl schmoozes with her guests, an awkward attendee does anything to escape the hubbub and keep her head down, as red cups pile up in the garden and a queue forms for the bar. At this kind of party, there are those who are recognised at the door and those who have to blag to get their name on the guestlist. N eon lights dance across an infinity pool, while, inside an enormous mansion, couples canoodle in immaculate white corridors and the cool kids sneak away to smoke.